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Since getting a bigger desk (or room) wasn't really an option for me, I developed a game plan for transforming my desk into a workspace that could accommodate a bigger controller and hopefully even leave me a little more surface area than I had before.From the moment you install MPC Beats, youre ready to start creating. Apples GarageBand comes free with all new Macintosh computers and iOS.My desktop monitors and clunky computer speakers left me so little room that not only could I not fit a very wide (or deep) keyboard controller on the desk to begin with, but when I actually needed to use the desk for writing, I had to disconnect my Roland A-49 controller and rest it against the wall until I needed it again. He writes reviews and features for Sound On Sound magazine, the worlds premier audio recording technology magazine and is a regular columnist focusing on PreSonus Studio One.Logic Pro is a digital audio workstation (DAW) and MIDI sequencer software application for the macOS platform. His Molten YouTube channel has passed 4.5 million views and gathered 35,000 subscribers. Until the beginning of Summer 2015, the desk where I did all my music work looked like this:Robin Vincent is the founder of Molten Music Technology Ltd. It's also an excellent teaching tool Take this course to rapidly.After putting up with minimalistic 49-key and 25-key MIDI controllers for the past few years due to limited desk space in my small studio, I finally decided it was time to move on to a bigger keyboard controller with more features.

Straight-up MIDI controllers don't have on-board sound, so I started to look at synthesizers, stage pianos, and workstation keyboards. I wanted to be able to work out melodies or chords quickly without having to fire up Cubase and open a DAW project. Requirement: Something that could make sounds of its own. But the more I looked into existing keyboard controllers, the more I realized there were a number of other things I was looking for as well:

Many hardware synths and stage pianos have some knobs and faders that you can map to different DAW or plugin functions when you're working with a computer, but very few bespoke synths have transport controls. Transport controls on a MIDI keyboard would put these necessary buttons within much easier reach when I'm set up for tracking vocals. When I recorded vocals, I used to put my Steinberg CC121 controller on a TV tray and scoot it next to my microphone stand so I could toggle cycle mode and re-record takes without knocking over the microphone or getting tangled in headphone and mic cables.

Roland has their own solution, a combo pitch/mod joystick, where both pitch and mod return to the center position when you let go of the stick. Also, as nice as the keybed and Komplete integration of the Komplete Kontrol S61 was, I am no fan of those weirdo ribbon controllers it has, so that was out of the running as well. The current KORG offerings have very flimsy looking little joysticks, so I had to scratch them off the list. The Yamaha MOXF6, Yamaha MX61, and Kurzweil PC3K6 keyboards have independent wheel controls, so they were under serious consideration. Ideally I'd prefer something with good-feeling independent mod and pitch wheels, but a solid and reliable joystick solution was acceptable. Requirement: Something with a reasonable pitch and mod solution.

All the Yamaha, Roland, and Kurzweil keyboards I was considering offered some level of GM support, in that they responded to the typical program changes with appropriate patches. It's super easy for me to dial up an acoustic piano here, fretless bass there, and just get my notes and chords down before I start trying to pick the best possible sounds for the job. Often when I'm laying down the initial MIDI tracks for a new project, I use General MIDI patches just because I know the GM sound set so well. Nice-to-have: General MIDI support.

Both the Yamahas and the Roland FA series have the ability to serve as an audio interface, meaning you can make them the primary audio device in your DAW. While this started out as a nice-to-have, now that I've got it, I don't know how I lived without it. Nice-to-have: USB streaming/audio interface support. Neither the FA-06 nor the Yamahas featured aftertouch only the Kurzweils. I was curious to get a board with aftertouch support just to see what it might add to my work- but this was far from a must-have, since I'd gotten by for so long without it. Of all the keyboards I've owned, I think only one ever actually supported aftertouch- and it was the CME Xkey 25- something just too small and physically shallow for me to do serious work on.

Nice-to-have: I'd like to have some actual 'desk space' on my desk.Even though I'd freed up a lot of room, my actual working area wasStill kind of tight. The Kurzweil workstations have varying levels of USB connectivity, but they lack anything as sophisticated as the Roland and Yamaha offerings, so Kurzweil was kind of out by this point. Everything can go over USB. This also means that I can record audio from the keyboard directly into the DAW without any audio cables. I can just pop a pair of headphones into the FA-06 and do everything I normally do (except record vocals), and the only things I need powered on are the keyboard and my DAW PC. This is great for me on hot summer days when I don't want to power up my entire rig, which generates a lot of heat.

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From the STUDIO SET PLAY screen of your FA-0X, press MENU, then select System and press ENTER. From here on out, I'm just going to say 'FA-0X' since the steps are the same for both the 06 and 08 models.The following steps assume you've already installed the FA-0X driver for your operating system. This tipped the scale in favor of the slightly shorter,There are plenty of good reviews already that cover the sounds and the sequencing/sampling capabilities of the FA-06 and FA-08, but I haven't seen anyone talk in much depth about what it's really like to use them as DAW controllers, or how well they integrate with specific DAWs like Cubase or Ableton Live- so that's what I'm going to focus on here.There are some basic instructions for configuring the FA-06 and FA-08 for DAW control in both the Reference Manual and the Application Guide ( available here), but they omit some important steps (and they don't cover Ableton Live setup at all), so first let's go over the steps required for Cubase and Live.

If you don't do this, the FA-0X will forget its DAW Control settings the next time you power up. On the DAW tab of DAW Control, navigate to the CONTROL MAP line and use the wheel to select CUBASE.Press WRITE and then select OK to store your selection. Press the DAW CONTROL button to bring up the DAW Control screen. (Please do that before continuing to the next step.)

Click the + button and select Mackie Control from the list. Launch Cubase and go to Devices > Device Setup. Now when you play notes on the keyboard, you will only hear the FA-06's internal synth engine in DAW Control mode if it is selected as an output device in your DAW.Don't forget to press WRITE to save your settings.

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